PR in the Age of Transparency

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The Public Relations industry has often been viewed as a manipulative, ethically murky one, filled with puppet masters that resemble Roger Ailes. The PR industry written about in the excellent book Toxic Sludge is Good For You still exists, certainly (just look at how much Monsanto continues to accomplish) but the industry itself has shifted into a much more transparent one. Social media hasn’t given it much of a choice to do otherwise.

Look at it this way. How often have you looked at your Twitter feed, or on your friends’ walls on Facebook, and seen some kind of scandal? Whether it is a food chain that has been found guilty of having nasty ingredients in its food (it took me a while to eat a $5 Footlong after Subway’s food had the same ingredient as yoga mats in it) or a married CEO dating an employee, you usually hear about it through friends before you read the actual news article. Once news is out, it’s out, and with the wide spread use of smart phones, social media and technology in general, people find out about things immediately. Because of this, the general public often knows things before anyone in the PR industry has time to do “damage control” or to “spin the story,” therefore making it more transparent than ever before.

The prevalent use of social media and the need to know news the second after it’s released has changed the industry of PR. Back in the day, PR professionals had at least some time between when they found out about a crisis and when it was released to the public, and they could figure out how they wanted to handle it. Those days are long gone. Reporters are constantly racing to have the story out before anyone else, and once that is done, the world of social media blows up, leaving PR professionals little to no time to react.

While many people commonly assume that a large part of PR is “spinning the truth,” in today’s social media era, it is an industry being taken over by transparency. Few things can be hidden in our world today. Quite frankly, it is impossible for PR professionals to hide anything, and if they do, people would undoubtedly figure it out right away, which would only be harmful to their respective client or brand. Social media is now playing a pivotal role in keeping PR straightforward and transparent, as it should be.

By Jacquelyn Matter

Cool Things Our Cool Clients Are Doing

We’re lucky to work with clients that we’re passionate about. Everyone should be so lucky to believe in what they do every day, and it makes pitching busy reporters a lot easier when you’re excited about what you’re telling them (and you don’t have to call anything a “bespoke app”).

Here are some neat things a few of our clients have been up to:

Threshold Interactive‘s John Montgomery has been on a tear, discussing why his job is so f**king awesome on the Effies blog, ruminating innovations in video with Visible Measures at SXSW, celebrating Threshold’s milestone ten-year anniversary and prepping for his panel on “Building Audience, Building Buzz” at Digital Hollywood on May 5 (go see him speak if you’re in L.A.).

Transition Entertainment and William “Billy” Butler signed a first-look, multi-platform deal with Film Roman (aka the rad people who help bring you “The Simpsons”). His brilliant live stage show in L.A., “The Chuck Rivers Show,” was selected for the second year in a row to be in The Groundlings’ Anniversary Show on May 8. Get tickets while you still can.

San Francisco non-profit Kearny Street Workshop hosted their second successful “Dumpling Wars” fundraiser. Oakland Local was on the scene and wrote an event recap so good, it made us hungry for dumplings again.

Arizona startup Mobi Pizza launched their online ordering service to enable pizza shops of all sizes (not just those big chains with their cardboard pizzas) to provide online ordering for their customers. They’re helping the Davids compete against the Goliaths.

And finally, our beloved Kihon Games launched their brilliant CCG/tactical strategy game “Conquest of Champions” on early access Steam. See you on the battlefield!

Don’t Be Fooled by the YouTube Views

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In an industry based solely on getting a message out to people, new technology has turned the PR world upside down and which way out. With the ever-growing social media presence in PR, things are not as simple as they once were, and we’re not just talking about the increased use of Twitter, Facebook and Instagram among PR professionals and brands themselves.

Unlike the advertising business, where attention is bought, PR is the act of getting earned media attention, but the “earned” part is suddenly not so black and white. If you see a Youtube video with thousands of views, you would immediately think that this video is getting attention for a reason. Maybe it’s awesome, maybe it’s hilarious, maybe it has cats, or maybe someone paid for view counts.

Indeed, places like Swenzy and GigaViews allow people to buy YouTube viewers, instantly boosting their videos. Other popular sites to do so include socialsbox.com and viewsaccelerator.com. The same can be said for Instagram. With the use of Instaliker, LikeBooster and +Like, Instagram users can simply buy both followers and likes, which boosts their pictures and in turn, their credibility. It’s time for the general public to recognize all the tricks and shortcuts that are going on.

In an industry that is supposed to help individuals, causes and companies gain attention, is this unethical? Is boosting your viewership through money turning PR into nothing more than another form of advertising? Many have argued that buying up video views or followers is deceitful and unethical. PR is supposed to be strategic and tactical, but these services that allow people to buy attention could become a detriment to the industry.

Despite the many legitimate critics and the many bad PR professionals who saddle the profession with a negative reputation, PR is supposed to be authentic and truthful (don’t laugh, we really believe this). However, one could also argue that it’s no longer about having great content when no one can view it in the first place without paying to play. With Facebook charging brands for posts to be seen by their fans, and YouTube being nearly impossible to grow organically (without the addition of cats, of course), someone has to game an already gamed system.

So don’t look at a video’s view count or an Instagram account’s astronomical number of followers, look at engagement and how many people are sharing that content, and how many people are talking about it. Nowadays, that seems to be the only true barometer of “viral” success.

By Jacquelyn Matter

The End of Facebook’s Free Brand Ride

On the heels of Eat24’s awesome blog post decrying Facebook’s latest changes to brand pages and the end of the free brand page ride, many brands are wondering just how much they’ll have to pony up to get their posts served to their audience.

While Facebook hasn’t exactly been free for a long time for most major brands, small businesses and startups are obviously the most affected by the death of the organic reach. Brands will have to add an amount that could be anywhere from $10 to $1,000 a day just for their posts to be seen, let alone liked or shared. So much for Facebook leveling the playing field.

Does this mean that brands will take Eat24’s cue and flee what has become the most cost-effective brand advertising platform? Not yet. Frankly, there really isn’t a better alternative to the flexibility and reach that Facebook offers. While Twitter looks to be the frontrunner, their ad effectiveness is still unproven (and we’ve used it with diminishing esults). Snapchat is too nascent, Vine is too quirky, Pinterest too limited in demographic targets. Until the new Facebook comes along, the MySpace killers will continue to call the shots, and we’ll all have to open our wallets for the pleasure of Facebook’s company.

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Eat Dumplings For a Good Cause

Do you want to devour delicious dumplings to benefit a great cause? Then grab your elastic waist pants and head to the Oakland Asian Cultural Center (conveniently located by the 12th Street BART) this Saturday, April 12 from 6-9pm to support Kearny Street Workshop with their second “Dumpling Wars 2: The Hungry Games” fundraiser/cooking competition. Tickets are on sale now for $20, all going to a great cause (your stomach and Kearny Street Workshop’s mission).

Kearny Street Workshop is based in San Francisco and is the oldest multidisciplinary Asian-Pacific American 501(c)(3) nonprofit. What does that mean? They enable aspiring APA artists to do their thing, supporting the community and building bridges.

Their first Dumpling Wars was a big success, so naturally, they’re bringing it back. This time, with a Hunger Games theme. We’re pretty sure everyone will make out like Katniss and get to sample some tasty dumplings courtesy of competitors with adorable team names like “Better Pork Tomorrow” and “Mac-niss Everdeen.”

The judges include celebrity chef David Yeung (Food Network), Penny Baldado (Chef/Owner, Café Gabriela), Saqib Keval (Founder, People’s Kitchen) and YOU.

If you need us, we’ll be stuffing our faces with dumplings and kissing up to David Yeung. The odds will definitely be in our flavor.

Threshold Interactive Finalists For Two Shorty Awards

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Congratulations to Threshold Interactive on being named finalists for not one, but two (!) Shorty Industry Awards! The Shorty Awards honor the best in social media so we’re stoked to see Threshold recognized for their brilliant “You Got What I Eat” Hot Pockets video and as Best Agency of the Year.

Good luck, Threshold! You’re winners in our book.

Read the news on AdWeek

Why Amtrak’s Writer in Residence Program is Brilliant PR

View from our last Amtrak ride on the Capital Corridor
View from our last Amtrak ride on the Capital Corridor

As unabashed sentimentalists, we love riding Amtrak, grinning like a little kid every time the train horn sounds. Whether it’s the cushy seats, free WiFi, dining cars, easy boarding process or generally relaxed passengers who aren’t stressed from shoving gigantic suitcases in crowded overhead bins or irritated from a horrible TSA experience, riding Amtrak is a darn good time for the patient. We’re not going to lie, it definitely takes longer to get from point A to point B but hey, sometimes in life, you have to stop and smell the railroad tracks.

Throughout the years, it goes without saying that train travel has decreased. We’re a “hurry up and go” society and Amtrak is anything but fast. The old-fashioned brand appeared to be getting left behind by the rapid digital world we exist in where quick bursts of Vine clips are the preferred forms of communication.

But Amtrak has embraced digital forms of communication, constantly tweeting and updating the public via its social media platforms. Amtrak is one of the better brands who listen to their fans on Twitter. We’ve tweeted them before and were impressed by how quickly they responded, and how responsive. Clearly, Amtrak has a good grasp of using the digital tools that have obliterated many of the brands Amtrak came up with.

One of the smartest things Amtrak has done recently is listen to their fans’ requests. After writer Jessica Gross tweeted about her enjoyment of writing on trains, she then tweeted that she wished Amtrak had a writer’s residency program. Amtrak did the unthinkable – listened to its customers (gasp!) and actually decided to try it out. It’s one thing for a brand to say “hey, thanks, we’re listening!” and another altogether to say “hey, great idea, let’s do it!”

It’s hard not to admire that. It’s not only adventurous (especially for a brand as old as Amtrak) but it’s smart. Why not listen to the people who pay to keep your business afloat? Amtrak just gained a huge surge in social media buzz and media articles, making an age-old form of transformation relevant and hip again, and not just with sentimentalists.

Amtrak’s promotion of the #AmtrakResidency hashtag has resulted in excitement (just search that hashtag) and massive engagement and, above all, the program (if it goes through) will create endless free content for Amtrak to mine, much like GoPro and its limitless supply of brilliant user-created content. Like GoPro, Amtrak is embracing and showcasing what its customers are doing, rather than ignoring them.

Ultimately, this is a win-win for Amtrak with little downside. They generally don’t sell out all of their seats so they’re not losing revenue by giving away a few free seats. The cost of executing this idea is minimal. The free PR takes care of itself. And if someone doesn’t like the idea, they can blame their fellow riders since it didn’t originate from Amtrak. Win!

 

 

#Does #This #Hurt #Your #Eyeballs?

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Remember when # was just a functional symbol for number? Those days are long gone and now that hashtags have entered the public lexicon in ways you never imagined, or frankly wanted, hashtags have become so overused that even Jimmy Fallon’s making fun of it.

Hashtags were meant to organize, categorize and better find and follow conversations. Now they’re cluttered, abused and irritating. Everyone has that friend who fills up their Facebook feed with meaningless hashtags that no one could possibly comprehend.

Threshold Interactive has heard your cries and have the answer: Hash Snag. The new app* is here to end the hashtag epidemic (with tongue firmly in cheek).

Next time, think twice before you bust out that #yolo tag and #HashSnag that up.

*Sense of humor required before using

Check out the articles on Threshold’s Hash Snag app on Digiday and Technorati

 

Uber’s PR Problem

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Just a few short months after being publicly lauded for its kitten-delivering masterpiece, startup Uber is facing its most difficult PR battle to date.

A leak (though this is the kind of leak that companies want) revealed on Valleywag showed Uber’s impressive revenue growth. According to Valleywag, the company is raking in more than $200m in revenue and scaling its technology worldwide at a rapid pace. Tech bloggers speculated that Uber was aspiring to be more than just an app for people who need rides, aiming to be a lifestyle brand on par with behemoth Amazon.

David Becomes Goliath 

Once Uber revealed itself at the top of the podium, the target on its back grew larger. Uber was already in the crosshairs of taxi and regulatory commissions. And Uber did all of the right things to make itself an easy target.

Uber began taking big hits for its controversial surge pricing strategy. Users on Twitter complained en masse, posting photographic evidence of their outlandish fares with each new post topping the other. Instead of properly explaining or even attempting to assuage the outraged masses, Uber’s CEO Travis Kalanick responded with derision for his customers. Kalanick vigorously defended surge pricing (the jury is still out on whether it has affected Uber’s user base) and pointed to the basic tenants of capitalism to support his business strategy. Just compare Kalanick’s response to criticism to Evernote’s Phil Libin’s. As the VentureBeat article states, Libin does PR right.

Then, the real tragedy happened. On New Year’s Eve, Uber driver Syed Muzzafar struck and killed 6-year old Sophia Liu and put her brother and her mother in the hospital. Muzzafar told police that he was working for Uber and searching for fares. The horrible death that could have easily been prevented became an unfortunate battle cry for the anti-Uber crowd (mostly made up of taxi companies). Uber responded in an equally unfortunate way.

Crisis Communications Fail 

Uber did exactly what companies shouldn’t do when tragedy strikes: they put out incorrect information (which they later rectified), didn’t apologize or offer any resolution for users of the service. Instead, they began washing their hands of any association with Muzzafar. When the news reached Uber, they initially immediately denied that Muzzafar was even an Uber driver, news that turned out to be incorrect. Though they likely were not deliberately lying to the public, their statement was irresponsible as they later admitted that Muzzafar was a driver on the system. When the tragic news occurred, Uber should have expressed empathy and stated that they were investigating whether Muzzafar worked for them, instead of categorically denying it without the proper facts.

Uber then stuck to their company messaging by proclaiming themselves to be a technology provider only (which conflicts with their reported aspirations as a lifestyle brand) and distancing themselves as far as possible from any responsibility for the tragedy. Missing in all of this was an apology or any emotion for young Liu and her family.

Uber’s statement was teeming with veiled language and blatant obfuscation that few could gain any measure of satisfaction with their actions. Nor was an apology proffered for initially denying Muzzafar’s status with Uber. Uber displayed zero emotion for the preventable loss of a young girl’s life and the irreparable damage to her family. But should Uber have shown emotion?

Brands Are People

In the new age of social media, brands can’t hide behind cold, corporate facades. When Uber is doing things like delivering kittens for adoption to make your day better, or delivering ice cream and Christmas trees, then it is presenting itself as an emotional brand. Acting like a human would have made Uber’s repeated rejections of their own liability in Sophie Liu’s death go down better among its user base who could easily imagine themselves being struck down by an Uber driver and having Uber wash its hands so callously. Uber’s responses were so universally criticized that Nissan backed away from its association in a recent commercial. Even startup-friendly outlet PandoDaily began posting critical articles (Carmel Deamicis’s recent post on Uber’s lack of criminal background checks on drivers is great).

The broader implications for Uber, and the numerous startups that share its business model (Lyft, SideCar, Airbnb, et al), is liability. And liability equals money. Uber immediately relinquished any liability for the actions of the driver precisely to avoid paying the large sums of money many (including the Liu family) would argue Liu’s family deserves, money that the driver Muzzafar likely would not have. Whether his insurance would cover any claims due to his using his vehicle for commercial purposes remains to be seen. Shouldn’t a company like Uber that claims to be “everyone’s private driver” show some responsibility for the people who use it?

One could argue that Uber isn’t liable for her tragic death, and apologizing would implicate them. But a more humane response than their calculated denials would not have been misconstrued as liability, and would have shown that Uber cares about the many people who use their service, and those like Liu who are affected by it.

In the end, Uber blatantly put its profits before people, a move that will never endear a company to its public.

The Future’s Still Bright 

Can Uber bounce back? Absolutely (remember when everyone thought Netflix was dunzo?). But Uber will need to put its money where its heart is, and learn to say a simple word that goes a long way: Sorry. It’s a word that’s even more powerful than cuddly kittens.

San Francisco Supervisor Jane Kim has posted information on donating to Liu’s family